New Reader
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Some of them were trafficked, abandoned, and left to die in the Sonoran dirt. Some of them didn’t stay dead. That’s the series. This page is the short version of how to find your way in.
You don’t need to read the books in order — each one stands on its own. But if you want a door, I’ll point you at the right one.
Choose Your Way In
Six ways into the same desert. Pick the one that fits how much time you’ve got and how you like to read. You can’t start wrong.

If you’ve got five minutes
Twenty short notes · a few minutes each
Rocket, before the desert — a girl named Naida, alive and moving through Managua. Twenty weekday vignettes, phone-sized, no commitment. The lowest, easiest step into the whole thing.
Read the Notes →
If you want to start with a book
Book One · complete · free to read
A woman wakes in the Sonoran desert with a GPS tracker sewn into her clothing and men hunting her through the dark. She doesn’t know what she is — only that she was left for dead and refused to stay that way. The cleanest place to begin.
Open Book One →
If you read for the people first
The Levantadas, the Elders, the Hunters
The women who were left for dead and rose anyway, the ones who have ruled this desert for a century, and the people who belong to no one. Meet them before you meet their stories, or after. Either works.
Meet the Cast →
If you want the whole shape
Thirteen books · three with chapters out now
How all of it fits together — the books out now, the ten still to come, and the timeline that threads them. Drawn from a 500,000-word draft. Start here if you like to see the map before you walk it.
See the Series →
If place is how you find your way
Pima & Cochise counties
Every haven, every boundary, every place something happened that was never reported. The real desert these books are set in, built from the draft and updated as the series grows. Walk the ground first.
Open the Map →
If you want to know what you’re in for
From the author · read this first
The concessions that had to be made to tell this story, and why they continue to gut me. Before you read these books, there is something you should know about the compromises that let them exist.
Read the Preface →The Basics
Free a week after they drop
New chapters reach subscribers first, then go free to everyone a week later.
Currently publishing
Babydoll, Book Two, posts a new chapter every Sunday through mid-November. Rocket and The Road North are complete.
Read in any order
Each book stands on its own. Pick the woman whose story pulls at you and start there.
A Word First
Content note. These books are about trafficking, abduction, and violence done to women, and they don’t look away from it. They are dark on purpose. The horror is honest, never decorative — but it is there, and you should know that before you start.
If you want the longer version of why, and what it cost to write these the way they had to be written, the Preface is the place to read it.
Questions
With Rocket, Book One. It’s complete and free to read. Every book stands on its own, though, so you can also start with whichever woman’s story pulls at you.
No. Each book opens at the start of its heroine’s story and needs no earlier book.
Publication order and story order differ. By publication: Rocket (Book One), Babydoll (Book Two), Blondie (Book Three). By story: Blondie comes first, then Rocket, then Babydoll, the last of the Levantadas to arrive at Abuela’s. Crimson Cabaret sets up Tucson itself, years before any of them arrive, and can be read anytime.
Five young women at the heart of the series: Marigold, Copal, Blondie, Rocket and Babydoll. Trafficked, abandoned and left to die in the Sonoran desert, they came back as something else. Marigold was the first of them; Babydoll was the last.
No. Thirteen books are planned, and three have chapters out now. Rocket is complete, Babydoll posts a new chapter every Sunday through mid-November, and Blondie follows right after. Crimson Cabaret has its Prologue through Chapter 4 published so far.
Yes. New chapters reach subscribers first, then go free to everyone a week later. A subscription is a way to back the work directly and get chapters early, plus member-only side stories.
Not yet. The books are published online, chapter by chapter.
Heat is implied only. Vampires in this world can’t have sex, so any spice stays off the page.
Yes. These books are a psychological exploration of trauma, survival, and supernatural transformation. They contain references to trafficking and abuse within a survivor-focused narrative. Mature themes, restrained depiction. The Preface explains why the books are written the way they are.
No. Each Levantadas book resolves its heroine’s story and ends on a hopeful note, while larger mysteries carry across the series.
Short first-person companion series, told in the characters’ own voices and free to read. They aren’t part of the novels, and you don’t need them to follow the books.
E.L. Frederick’s name for gothic horror rooted in the Sonoran desert and the Arizona-Mexico borderlands. His essay Sonoran Gothic: How I Define My Genre sets out the full definition.
The movie Abigail was a good part of the idea that started it. If you enjoyed The Dresden Files, the Mercy Thompson series, Tom Clancy’s novels, or the movies Abigail and Sicario, these books are for you.
Cactusflower, a feature film adapted from the novella of the same name, is in production.
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New chapters reach subscribers first, then go free to everyone a week later. Subscribe to read them the day they drop.
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